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Post By
The Mandarin

Member Since: Sat May 17, 2008
Posts: 7,003
In Reply To
Superman's Pal
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Member Since: Sat May 17, 2008
Posts: 5,730
Subj: Re: The day the music died ...
Posted: Thu Aug 05, 2021 at 12:03:40 pm EDT (Viewed 140 times)
Reply Subj: The day the music died ...
Posted: Wed Aug 04, 2021 at 05:14:08 pm EDT (Viewed 163 times)

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https://www.hollywoodreporter.com/tv/tv-news/alex-kurtzman-cbs-studios-star-trek-deal-1234991124/

I guess it depends on your opinion of the current product. After 3 years helming the Trek franchise, Alex Kurtzman is apparently doing such a good job that CBS has extended him for 5 more years at a nine-figure price tag (at least $100 million, to his production company).

There were reports that both Discovery and Picard had backstage drama where storylines were changed partway through, but can that alone account for my disinterest?

I don't really see diversity or SJW issues as a negative. At least I would say that if we had good writing and respect for the history of the franchise those issues wouldn't be enough to bother me. My problem is more about unlikeable characters, nonsensical plots and overall stories that make no sense and don't fit within the canon. And dark, pessimistic themes that are anti-Trek. Shouldn't the diversity audience demand that stories not only be diverse but also good? Are their expectations that low?

So far all the shows (Discovery, Picard and Lower Decks) have critical raves and low audience scores. How long will they keep pumping them out at that ratio? Will Strange New Worlds or Prodigy be any better? Can they be?

Will there be an equivalent of The Mandalorian amongst the Sequel Trilogy for Star Trek?


Diversity is a good thing, so long as the diverse characters have flaws they need to overcome. The problem comes in when these diverse characters aren't allowed to have flaws, because any flaws in such a character is equated with bigotry in the writer.

The older Star Treks had flawed characters. Data had no emotions, which lead to him being naive and gave him difficulty in human interactions. The episode of him trying to have a girlfriend and it being a disaster. The episode where Keiko and O'Brien got married and there was a Romulan spy on board highlight both of these flaws. Picard was a stiff, formal man with little patience for children or frivolity. Worf was too quick to use violence, naive about the difference between Klingon values and the realty of Klingon behavior, and struggled with religious doubts.

These diverse characters aren't allowed to have any of those flaws, because giving them those flaws is viewed as a negative stereotype, so they come across as very flat, and bland. They can only express feelings and viewpoints of infinite nobility in a tone of heavy sacred reverence.

In fact, the only character allowed any flawed complexity, Saru, is an alien played by a white guy. Not surprisingly, he's also the most interesting character on the show, and the only one who has any real character arc.

Ironically, these insistence on making the diverse characters flawless does them a disservice by making them bland. Worf, a character played by a black actor, is one of my favorite Star Trek characters. He was too quick to use violence, he was dour and Spartan, he struggled with religious doubts. Because of his upbringing his view of Klingons was deeply flawed. He was the equivalent of a Christian boy raised in isolation to truly follow all the charitable ways of Jesus who then encountered a town where almost the entire population was technically Christian, but everyone cheats on their taxes and has premarital sex and does all the hypocrisies most Christians engage in. You could see it in things like his interactions with K'Ehleyr where he proposes marriage after a one-night-stand and she looks at him like he's grown a second head.

Worf could NEVER exist in current writing, especially not played by a black actor. All the complexity and flaws that made him one of my favorite characters would be erased and replaced with him just expressing pure flawless nobility in a tone of heavy reverence.




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